Name |
Advisor |
Date |
Dissertation Title |
Current Position |
Perone, James |
Clough |
1988 |
“Pluralistic Strategies in Musical Analysis:
A Study of Selected Works of William Albright” |
Mount Union College |
Park, Jae-Sung |
Clough |
1989 |
“A Study of the Pitch-Class Structure in Anton Webern’s 14 Early Atonal Songs” |
Han-Yang University |
Johnson, Timothy |
Clough |
1991 |
“Harmony in the Music of John Adams:
From Phrygian Gates to Nixon in China” |
Ithaca College |
Wooldridge, Marc |
Clough |
1992 |
“Rhythmic Implications of Diatonic Theory:
A Study of Scott Joplin’s Ragtime Piano Works” |
Northwestern College |
Saltini, Roberto |
Clough |
1994 |
“Theory of Phase Shift: A Study of Rhythmic and Metric Displacements in Music” |
|
Klein, Michael |
Hyde |
1995 |
“A Theoretical Study of the Music of Lutoslawski: New Interactions of Pitch, Rhythm, and Form” |
Temple University |
McGuire, David R. |
Smith |
1995 |
“Revisiting the Return: The Structural Dilemma of the Recapitulation in the Schenkerian Account of Classical Sonata Form” |
Finger Lakes Community College |
Foulkes-Levy, Laurdella [Bodalay] |
Clough |
1996 |
“A Synthesis of Recent Theories of Tonal Melody, Contour, and the Diatonic Scale…” |
University of Mississippi |
Kwan, Kenneth |
Clough |
1996 |
“Compositional Design in Recent Works by Chou Wen-Chung” |
|
Clampitt, David |
Clough |
1997 |
“Pairwise Well-Formed Scales: Structural and Transformational Properties” |
Yale University |
Swinden, Kevin |
Smith |
1997 |
“Harmonic Tropes and Plagal Dominant Structures in …Bruckner” |
Wilfrid Laurier University |
Cuciurean, John |
Hyde |
2000 |
“A Theoretical Study of the Late Music of György Ligeti” |
Arizona State University |
Gelleny, Sharon |
Stadelman |
2000 |
“Variation Techniques and Other Theoretical Issues in Feldman’s ‘carpet’ Compositions” |
[whereabouts unknown] |
Engebretsen, Nora |
Clough |
2002 |
“The Chaos of Possibilities: Combinatorial Group Theory in 19th-century German Harmony Treatises” |
Bowling Green State University |
Harris, Carole |
Hyde |
2002 |
“Neoclassic Connection: The Influence of Stravinsky through Boulanger on Copland, Talma, and Piston” |
Niagara Community College |
Kochavi, Jonathan |
Clough |
2002 |
“Contextually Defined Musical Transformations” |
Swarthmore College |
Ahn, So-Yung |
Clough |
2003 |
“Harmonic Circles and Voice Leading in Asymmetrical Trichords” |
Han-Yang University |
Prevost, Roxane |
Hyde |
2003 |
“A Woman Composer Among Men:
A Theoretical Study of Ursula Mamlok’s Serial Music” |
University of Ottawa |
Grmela, Sylvia |
Clough/Hyde |
2004 |
“Recall and Repetition in the Music of Kurtag” |
[in Buffalo with family] |
Jefferis, James |
Smith |
2004 |
“Background and Form in the Songs of Hugo Wolf” |
Rochester Public Schools |
Paynter, Terry |
Clough/Smith |
2004 |
“Three-Dimensional Musical Space:
Models and Metaphors for Analysis” |
SUNY at Potsdam |
Brasky, Jill T. |
Smith |
2005 |
”‘Far Have I Flown’: Chromatic Dominants and Functional Transformations in Schoenberg’s Gurrelieder” |
American University |
Deguchi, Tomoko |
Hyde |
2005 |
“Temporality and Form in Takemitsu’s Music for Film and Solo Works” |
Winthrop University |
Tam, Christina |
Clough/Hyde |
2005 |
“Between the Tones: A Study of the Theory and Microtonal Works of Alois Haba” |
SUNY at Fredonia |
