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Michael Long has been a member of the
faculties of the University at Buffalo, Columbia University, and the
University of Wisconsin-Madison. In addition, he has taught graduate
seminars as a visitor at Harvard and Cornell Universities.
His work on fourteenth-century music has appeared in The Journal of the
American Musicological Society, Early Music History, L’ars nova italiana
del Trecento, and Music and Society. His articles on fifteenth-century
music have appeared in The Journal of the American Musicological Society,
and Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music.
He is an Associate Editor of the Journal of Film Music. Long has received
the Alfred Einstein Award of the American Musicological Society, and the
SUNY Chancellor’s Award for Excellence in Teaching.
"Slow-dancing on Brokeback Mountain" (Royal Music Association, Nottingham,
July, 2006)
“The Clink of Coin: Musical Structure and Hard Currency in Medieval
Europe,” International Musicological Society Congress, Leuven, Belgium,
August, 2002)
“Giving Josquin the Edge,” UCLA (May, 2001)
“Music, Matrimony, and Ile fantazies de Joskin,” International
Josquin Conference, Princeton University (October, 1999)
“Is this the real life?”: Rock Classics and Other Inversions,” UC-Berkeley,
UC-Davis, and Stanford University (April, 1998)
His book,Beautiful Monsters: Imagining the Classic in Musical Media, is scheduled for
publication in 2008 by University of California Press.
Music 206. Music in the Movies
Music 213. Survey of Music History
Music 408. Film Music: History and Criticism
Music 409. Medieval Music
Music 410. Renaissance Music
Music 515. Seminar in Musicology (recent topics: Analyzing Musical
Multimedia; Re-assessing the “New Musicology;” Number and Proportion in
Late Medieval Polyphony)
Music 605. History of Music Theory I
Music 625. Notation |