110 Slee Hall
University at Buffalo
Buffalo NY, 14260

tel (716) 645-0654
fax (716) 645-3824
email: lippe@buffalo.edu

Selected Papers

2003 Conference on New Interfaces for Musical Expression, Montreal, Proceedings, pp. 197-200
"Convolution Brothers’ Instrument Design" .pdf

2003 International Computer Music Conference, Singapore, Proceedings,
"Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing" .pdf

2002 Information Processing Society of Japan SIG Notes, Volume 2002, Number 123, pp. 1-6.
"Real-Time Interaction Among Composers, Performers, and Computer Systems"  .pdf

1998 International Computer Music Conference, Ann Arbor, Proceedings,
"Real-Time Frequency-Domain Digital Signal Processing on the Desktop" .pdf

1997 Information Processing Society of Japan SIG Notes, Volume 97, Number 122, pp. 33-38.
"Music for Piano and Computer: A Description" .pdf

1997 Computer Music Journal, MIT Press, Volume 20, Number 4, pp. 21-24.
"Real-Time Interactive Digital Signal Processing: A View of Computer Music" .pdf

1996 International Computer Music Conference, Hong Kong, Proceedings, pp. 116-117.
"A Look at Performer/Machine Interaction Using Real-time Systems" .pdf

1994 Contemporary Music Review, Vol. 10, United Kingdom, Harwood Academic Publishers, pp. 149-155.
"Real-time Granular Sampling Using the IRCAM Signal Processing Workstation" .pdf

1994 Contemporary Music Review, Vol. 10, United Kingdom, Harwood Academic Publishers, pp. 171-179.
"Real-time Timbral Transformation: FFT-based Resynthesis" .pdf

1994 3rd International Conference for Music Perception and Cognition, Liege, Proceedings, pp. 328-333.
"Getting the Acoustic Parameters from a Live Performance" .pdf

1993 10th Italian Colloquium on Computer Music, Milan, Proceedings, pp. 428-432.
"A Composition for Clarinet and Real-Time Signal Processing: Using Max on the IRCAM Signal Processing Workstation" .pdf

1992 Society for Electroacoustic Music in the United States, San Jose, Proceedings,
"Score Following In Practice" .pdf