Ph.D. Yale University

204 Baird Hall
University at Buffalo
Buffalo NY, 14260

tel: (716) 645-0652
fax: (716) 645-3824
email: mhyde@buffalo.edu

Publications

Books

• Stravinsky's Neoclassical Works: Strategies of Imitation and Transformation (in progress-2003)
• Studies in Diatonic Set Theory and Transformational Theory (co-edited with Charles Smith, 2003)
• Schoenberg's Twelve-Tone Harmony: The Suite Op. 29 and the Compositional Sketches. Ann Arbor: UMI Research Press, 1982.

Articles in Refereed Journals and Book Chapters

• "The Neo-classical Works of Igor Stravinsky". In The Cambridge Companion to Stravinsky, ed. Jonathan Cross (Cambridge: Cambridge University Press, forthcoming 2003): 155-207.
• "Neoclassical and Anachronistic Impulses in Twentieth-Century Music". Music Theory Spectrum 18 (1996): 200-35.
• "Dodecaphony: Schoenberg". In Early Twentieth-Century Music, pp. 56-81. Ed. Jonathan Dunsby. Oxford: Basil Blackwell, 1993.
• "Achievements and Directions in Twentieth-Century Analysis". Music Theory Spectrum 11 (1989): 35-39, 44-48.
• "Musical Form and the Development of Schoenberg's Twelve-Tone Method". Journal of Music Theory 29 (1985): 85-143.
• "A Theory of Twelve-Tone Meter". Music Theory Spectrum 6 (1984): 14-51.
• "The Format and Function of Schoenberg's Twelve-Tone Sketches". Journal of the American Musicological Society 36 (1983): 453-80.
• "Schoenberg's Sketches and the Teaching of Atonal Theory". College Music Symposium 19 (1980): 130-37.
• "The Roots of Form in Schoenberg's Sketches". Journal of Music Theory 24 (1980): 1-36.
• "The Tell-Tale Sketches: Harmonic Structure in Schoenberg's Twelve-Tone Method". Musical Quarterly 66 (1980): 560-80.

Reviews

• Review of Joseph Straus' The Music of Ruth Crawford Seeger, Integral 12 (1998): 137-147
• Review of Maureen A. Carr's Multiple Masks: Neoclassicism in Stravinsky's Works on Greek Subjects, Music Theory Spectrum 25/2 (2004)
• Review of Ethan Haimo's Schoenberg's Serial Odyssey, Journal of Music Theory 37 (1993): 157-69.
• Review of George Perle's The Operas of Alban Berg. Journal of the American Musicological Society 34 (1981): 573-87.
• Review of George Perle's Twelve-Tone Tonality. Musical Quarterly 65 (1979): 117-28.

Conference Papers and Special Lectures

• "Mid-carreer Renewal and Responsibilities". Special Panel on Professional Development, Society for Music Theory Annual Conference, Toronto, 2000
• "Perspectives on Criticism of Western Art Music of the 20th Century". American Musicological Society/Canadian University Music Society National Conference, Toronto, 2000
• "Stravinsky's Imitation of Goethe's Faust.: Structuring Time and Meter in The Rake's Progress". University of Western Ontario, 2001
• "Stravinsky–Precursor to Postmodernism?". Chinese University of Hong Kong, 2003
• "Engaging Temporalities: Stravinsky and the Neoclassic Tradition". U.C.- Santa Barbara, West Coast Conference of Music Theory and Analysis, 1997.
• "Imitative Strategies in Twentieth-Century Music". Univ. of North Carolina--Chapel Hill, 1993.
• "Anachronistic and Neoclassical Impulses in Twentieth-Century Music". U.C.-Davis, 1992; University of Western Ontario, 1992; Theory Society of the Western United States, U.C.-Santa Barbara, 1992; & Columbia University, 1991.
• "Twentieth-Century Neoclassicism". U.C.-Santa Barbara, 1990.
• Respondent. Session on "Historical Reflection and Reference in Twentieth-Century Music". Society for Music Theory, National Conference, Austin, 1989.
• "Experiments in Nineteenth-Century Form: Chopin's Manuscript for the Preludes, Op. 28". Joint Session, American Musicological Society and Society for Music Theory, National Conferences, Baltimore, 1988.
• "The Past Decade's Work in Twentieth-Century Analysis". Plenary Session, Society for Music Theory, National Conference, Rochester, 1987.
• "Contrasting Theories of Meter in Schoenberg and Stravinsky". University of Wisconsin-Madison, 1987.
• "Schoenberg and Stravinsky: Theories of Rhythm and Performance Practice". SUNY Buffalo, 1987.
• "Schoenberg and Early Twentieth-Century Performance Practice". Carnegie-Mellon University, 1986.
• "Autograph Manuscripts and the Study of Twentieth-Century Music". Southern Methodist University, 1986.
• "Current Research in Serial Music". Graduate Seminar, Cambridge University, 1985.
• "Contextual Conflicts and Twelve-Tone Resolutions". Seminars in Analysis, University of Oxford, 1985.
• "The Ends of Innovation: The Development of Schoenberg's Twelve-Tone Method". Institute for Advanced Musical Studies, King's College, University of London, 1985.
• "Musical Modernism: The Transition from Contextual Serialism to the Twelve-Tone Method". Notre Dame University, 1984.
• "The Format and Function of Schoenberg's Twelve-Tone Sketches". SUNY Buffalo, 1983.
• "Schoenberg's Sketches and his Compositional Methods". American Musicological Society, National Conference, Denver, 1980.
• "The Roots of Twelve-Tone Form in Schoenberg's Sketches". Society for Music Theory, National Conference, New York, 1979.
• "Composer's Sketches and the Teaching of Atonal Theory". Music Educators' National Conference, 1979.
• "Schoenberg's Early Twelve-Tone Compositions". Joint Session, American Musicological Society and Society for Music Theory, National Conferences, Minneapolis, 1978.
• "Schoenberg's Sketches for his Early Twelve-Tone Compositions". Arnold Schoenberg Institute, Los Angeles, 1978.

Works in Preparation

• Stravinsky's Neoclassical Works: Strategies of Imitation and Transformation. In progress.
• "Experiments in Late Nineteenth-Century Form: Chopin's Autograph for the Preludes, Op. 28". In progress.